{"title":"HIGHLIGHTS","description":"","products":[{"product_id":"slapp-happy-sort-of-lp","title":"Slapp Happy – Sort Of [LP]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1972, left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he might write some straight songs (relatively speaking), which in turn prompted Moore to invite his old schoolfriend Peter Blegvad over to Hamburg to form the band Slapp Happy. Dagmar Krause, a young singer from Hamburg and Moore‘s girlfriend, joined them both on their trip to Wümme to record what was to become this album, Sort Of, using Faust as their rhythm section. In honour of this album's 50th anniversary the album will get a nicely remastered reissue with the newly founded Week–End Records.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWeek-End Records, 2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389706578\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/week-end.bandcamp.com\/album\/sort-of\"\u003eSort Of by Slapp Happy\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47802602651889,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/slapphappy_sortof.jpg?v=1770962692"},{"product_id":"amelia-cuni-melopea-lp","title":"Amelia Cuni – Melopea [LP]","description":"\u003cp\u003e\u003cem\u003emesmeric posthumous release from dhrupad singer, two lengthy sidelong pieces covering superimposed collective improv \u0026amp; a gorgeous extended sax\/cello zone-out. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle is pleased to announce Melopea, presenting two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches. After two stunning archival releases documenting traditional dhrupad performances in India in the 1990s (BT079 and BT092), the two side-long pieces here embody the freedom with which Cuni explored new contexts and settings for her singing.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoth make use of a long recording of Cuni singing the pentatonic Raag Bhoop (or Bhopali) made in 2012 by her partner Werner Durand in Berlin. ‘Melopea’ began from Cuni and Durand’s superimposition of this recording with violinist Silvia Tarozzi and cellist Deborah Walker’s performance of Éliane Radigue’s ‘Occam River II’. Inspired by the beauty of this chance encounter (and other experiments with non-synchronous collaboration during the pandemic years), Tarozzi and Walker recorded independently, without hearing Cuni’s voice but ‘having her present in memory’. Tarozzi and Walker’s bowed strings places Cuni’s magisterial performance in a new context\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, emphasising, as Radigue commented upon hearing the initial layering of her piece with Cuni’s voice, a shared ‘searching toward the partials, overtones, these natural constituents of acoustical sounds in their richness’. Beginning with whispered bowed harmonics, the violin and cello swap the stability of dhrupad’s traditional tanpura drone for a slowly evolving, uneasy web of harmonic interactions recalling some of Harley Gaber’s work, sometimes sitting on dissonances for long periods or allowing changing interference patterns to come to the fore. Primarily focusing on her lower register, Cuni’s performance demonstrates her mastery of microtonal pitch subtleties, elegant sweeping glissandi and meditatively unhurried pacing.\u003cbr\u003e \u003cbr\u003eThe continuation of the same recording by Cuni forms the foundation of ‘Bhoop-Murchana’, with Anthea Caddy on cello and Werner Durand on soprano saxophone. In contrast to the randomised layering of the first piece, here Durand and Caddy have carefully selected pitches based on the raag Cuni sings, using the ‘Murchana’ form, which uses the constituent notes of the raag as tonics of new raags, retaining the same interval structure. Both players who have developed tones of striking depth and harmonic purity on their instruments, Caddy and Durand’s patient long tones are simultaneously rigorously grounded in the physical properties of sound and possessed of an immaterial, floating quality. Combined with Cuni’s voice and, near the piece’s end, her contributions on hammered and plucked tanpura, the effect borders on miraculous. To surrender to this music is like slipping into an onsen pool, feeling the instantaneous release of every tension. Accompanied by liner notes from Durand, Tarozzi and Walker, Melopea is both a moving tribute to the profound art of Amelia Cuni and, for the uninitiated, a perfect introduction to it.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eBlack Truffle, 2025\u003c\/span\u003e\u003c\/p\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47811569680625,"sku":null,"price":52.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/ameliacuni_melopea.jpg?v=1771298507"},{"product_id":"nijiumu-when-i-sing-i-slip-into-the-microphone-into-that-void-i-bring-comrade-prayers-then-turning-to-face-the-outside-together-we-explode-2lp","title":"Nijiumu – When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. [2LP]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003emelodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eBlack Truffle, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/blacktruffle.bandcamp.com\/album\/when-i-sing-i-slip-into-the-microphone-into-that\"\u003eWhen I sing, I slip into the microphone. Into that... by Nijiumu\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47815530053873,"sku":null,"price":76.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/nijiumu_whenising.jpg?v=1771476763"},{"product_id":"carrie-decunzo-mirande-my-shadow-lp-2","title":"Carrie DeCunzo Mirande – My Shadow [LP]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003eDiscreet Music encountered Philadelphia-based Carrie Decunzo Mirande for the first time in 2024 when she performed at Longest Night in Gothenburg alongside Arv \u0026amp; Miljö and Christian Mirande. A computer musician, pianist, vocalist and video and installation artist, her work deals with social and ecological ethics, and she incorporates visual language and theater into her compositional and performance practice. On the beautiful and strangely evocative 11-song album My Shadow, Carrie weaves together sound poetry with digital synthesis, harmonizing vocals and field recordings, the result being one of the brightest shining debut albums we heard in quite a while. My Shadow follows up releases on labels like No Rent and Hold.\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-lower\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003e\"I was prompted to read the twenty-four chapters of the Book of Luke in the twenty-four days before Christmas of 2024. I tried to write music about it but struggled. I wrote two songs for piano inspired by Luke 6:45, what overflows from the heart comes out the mouth, and Luke 1:22, in which Zechariah is made mute as punishment for his disbelief in the word of God made known to him by the angel Gabriel. I was unsatisfied with these pieces and set them aside. My heart knew intimately what the music should say, but what came out of me was flat, useless, and wrong.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-lower\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eMy Shadow is my first full length LP and it deals with this frustration, of articulative failure, loss of voice, lack of trust in ones convictions, in feeling powerless in the face of scales of violence which are difficult to comprehend. It offers hope, grief, resignation, desperate bargaining with self and God. Lose the thread trying to say what’s unspeakable, find grace sealing yourself in what’s unknowable.\u003c\/span\u003e\"- Carrie\"\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e \u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003eDiscreet Music, 2026\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e \u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2644031413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/discreetmusicgbg.bandcamp.com\/album\/my-shadow\"\u003eMy Shadow by Carrie DeCunzo Mirande\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47892952547569,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/carriemirande_myshadow.jpg?v=1772167858"},{"product_id":"kae-p-rujhaan-putimt-ku-tuskaas-cs","title":"Ķæ p. Rujhaan – Putimt Ku Tuskaas [CS]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003eThe album explores the historical and practical union of experimental in-situ field recordings and industrial drone work in its rudimentary form, while also constructing a narrative of live, on-site cymbal play in the style of Eddie Prevost and David Jackman. \u003cem\u003e Putimt ku tuskaas \u003c\/em\u003edraws a narrative of minimally intricate experimental field recordings and industrial drones while at the same time channeling a line of influence from the early 80’s French \u0026amp; Italian industrial movements and would not be out of place riding along with \u003cem\u003eADN, United Dairies, Aeroplane \u0026amp; Robot Records.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom liner notes: “… Main Shop Building - Carbarn The main shop building, or car barn, is the largest of the buildings in the shop complex and is situated on the north side, abutting Pine Street (see HAER Photographs No. WA-13-A-1 through WA-13-A-20). It is rectangular in shape and constructed primarily of rough-cut sandstone. The upper portion of the long walls is brick with arched clerestory-type windows. The roof is an arched wooden truss type. It formerly had a monitor on top, but this feature was removed in 1976 and the resulting hole covered with wood. The shop building is quite tall. This enables a 15-ton Niles crane to roll back and forth above the tracks inside. The crane is used to lift locomotives and traction motors for repair. An array of lathes, drill presses, grinders, and other elderly machinery (all driven by a common overhead belt drive system) remains intact inside the building.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis portion of the building has been used primarily for maintenance and repair of the YVT's locomotives and streetcars. It currently also serves as a secure storage space for YVT's remaining locomotives. A lower wing on the east side of the building, also constructed of stone, houses YVI's trainmen's room, blacksmith shop, and supply storage rooms. Formerly, there was another wing attached to the west side of the building for storage of streetcars. This structure, called the \"running barn,\" was made primarily of wood, had four tracks inside, and was demolished in 1976. Its stone foundation and tracks remain….”\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRegional Bears, 2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3921300171\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/regionalbears.bandcamp.com\/album\/putimt-ku-tuskaas\"\u003ePutimt Ku Tuskaas by Ķæ p. Rujhaan\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47892996358385,"sku":null,"price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/rujhaan_putimtkutuskaas.jpg?v=1773288494"},{"product_id":"uriels-bath-uriels-bath-cd","title":"Uriel's Bath – Uriel's Bath [CD]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUriel's Bath - A new project from Julia Mcfarlane and Thomas Kernot\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(J Mcfarlanes Reality Guest\/ Angel Wash)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHe feels his power, and admires his flaming sword\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehe splashes around in the water that he poured\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehe feels his toys get smaller - watches their deflation….\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eUriel sees the water ripple with his gyration!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Uriel’s Bath, he feels his power and admires his flaming sword\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ewatching the bubbles, and the surface they rise toward\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eConsidering his patron of the arts,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehe SPLASHES around and smells his contribution fade away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn Uriel’s Bath - pulling the plug, releasing the deluge\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehe’s clean after the filthy prelude\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHobbies Galore, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1486536889\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/feltsenserecs.com\/album\/uriels-bath\"\u003eUriel's Bath by Uriel's Bath\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":47897223397617,"sku":null,"price":10.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/urielsbath_urielsbath.jpg?v=1773366886"},{"product_id":"abby-sundborn-holding-pattern-cs","title":"Abby Sundborn – Holding Pattern [CS]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAbby Sundborn is quiet observer. An active composer, performer, improviser and collaborator within Melbourne’s fertile DIY underground, she equally appreciates time spent on the other side of the stage, attentively listening, imagining and finding beauty in her surroundings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClassically trained but intuitively inclined, Holding Pattern is perhaps the clearest distillation of Sundborn’s musical vision - one that is rooted in intimacy and vulnerability, and pays homage to countless memories both shared and in solitude. A time-dilating piece for cello and voice performed to a small audience, it is fragile music with a deceptive intensity that unravels far beyond the confines of the dimly lit space in which it was performed. The atmosphere is tense and palpable, held in seemingly infinite suspension by small yet deliberate gestures that delicately overlap. It feels decidedly human. Sundborn’s considered bowing and pizzicato are laid bare with little processing or intervention, and the composition at large feels beautifully curious and explorative.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHolding Pattern is Sundborn’s first piece that features so prominently her voice. At its apex lies ‘Shed’, a title symbolising the “breaking of habitual patterns” that can lead to one’s life becoming\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003etoo routine and unconsciously self-destructive. The interplay between her cello and voice is mantric and entrancing, and portrays an emotionally attuned composer with deft sensitivity to space and time. “I knew I wanted to make something that felt warm and focused, but not so much that you can’t get out.” Always self-observational and never rushed, Sundborn seemingly utilises negative space as moments of reflection - her voice a vessel for ascension and grief that drifts slowly into the distance.\u003cbr\u003e\u003cbr\u003eSundborn’s work is rigorous yet free-flowing, and has seen light on a diversity of labels, including Altered States, Daisart and Absorb. Holding Pattern is her first appearance on A Colourful Storm, following time shared on stage and in collaboration with Tony Buck (The Necks), Jonnine (HTRK) and Lisa Lerkenfeldt (Shelter Press).\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eA Colourful Storm, 2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3370721305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/abbysundborn.bandcamp.com\/album\/holding-pattern\"\u003eHolding Pattern by Abby Sundborn\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":48064073498865,"sku":null,"price":26.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/abbysundborn_holdingpattern.jpg?v=1776755398"},{"product_id":"dai-koelakanth-dont-let-me-be-a-burden-cd","title":"Dai Koelakanth – Don't Let Me Be A Burden [CD]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"In Uptown Bogland things sound great 'cardboard humans fall to pieces' was top-forty and the money was rolling in I should not have trusted dad I knew his weakness for the horse god but I am Dan Koelacanth I am a simple man I do not use spell check auto-correct I don't monitor levels or worry about excessive treble this CD from the Krim Kram label may bring trouble to your door so tool-up ready don't let the unexpected topple your sanity be caring generous loving do not be swayed by the habits of monsters YES this audio recording contains one million edits shoved left shoved right YES it is an atrocity unlistenable noise \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ehow can someone shout so much when their gob is full of mud IS IT ALL A MISTAKE\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Dai K\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKrim Kram, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1274240258\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/krimkram.bandcamp.com\/album\/dont-let-me-be-a-burden\"\u003eDon't Let Me Be A Burden by Dai Koelakanth\u003c\/a\u003e\u003c\/iframe\u003e","brand":"naturestripstore","offers":[{"title":"Default Title","offer_id":48067975839985,"sku":null,"price":24.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0634\/8859\/0065\/files\/daikoelakanth_dontletmeaburden.jpg?v=1776829336"},{"product_id":"alyssa-medea-lp-1","title":"Alyssa – Medea! [LP]","description":"\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDebut LP from a new Gothenburg duo consisting of Irma Krook (Makthaverskan) and Dan Johansson (Sewer Election).  Alyssa takes elements from Irmas Military Arms 12\" released a few years ago and combines it with the mind expanding synth stuff Dan has explored with the Psychic Panorama recordings recently. Adding a few larger-than-life piano bangers and whatnot, the result is a dreamy and mesmerizing night time album - think prime time 4AD on glue mixed up with your favorite Förlag För Fri Musik moments. Mastered by Linus at Elementstudion. 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